She had been perfectly prepared to be surprised at Ricks, for Mrs. Gereth was a wonder-working wizard, with a command, when all was said, of good material; but the impression in wait for her on the threshold made her catch her breath and falter. Dusk had fallen when she arrived, and in the plain square hall, one of the few good features, the glow of a Venetian lamp just showed, on either wall, the richness of an admirable tapestry. This instant perception that the place had been dressed at the expense of Poynton was a shock: it was as if she had abruptly seen herself in the light of an accomplice. The next moment, folded in Mrs. Gereth's arms, her eyes were diverted; but she had already had, in a flash, the vision of the great gaps in the other house. The two tapestries, not the largest, but those most splendidly toned by time, had been on the whole its most uplifted pride. When she could really see again she was on a sofa in the drawing-room, staring with intensity at an object soon distinct as the great Italian cabinet that, at Poynton, had been in the red saloon. Without looking, she was sure the room was occupied with other objects like it, stuffed with as many as it could hold of the trophies of her friend's struggle. By this time the very fingers of her glove, resting on the seat of the sofa, had thrilled at the touch of an old velvet brocade, a wondrous texture that she could recognize, would have recognized among a thousand, without dropping her eyes on it. They stuck to the cabinet with a kind of dissimulated dread, while she painfully asked herself whether she should notice it, notice everything, or just pretend not to be affected. How could she pretend not to be affected, with the very pendants of the lustres tinkling at her and with Mrs. Gereth, beside her and staring at her even as she herself stared at the cabinet, hunching up a back like Atlas under his globe? She was appalled at this image of what Mrs. Gereth had on her shoulders. That lady was waiting and watching her, bracing herself, and preparing the same face of confession and defiance she had shown the day, at Poynton, she had been surprised in the corridor. It was farcical not to speak; and yet to exclaim, to participate, would give one a bad sense of being mixed up with a theft. This ugly word sounded, for herself, in Fleda's silence, and the very violence of it jarred her into a scared glance, as of a creature detected, to right and left. But what again the full picture most showed her was the far-away empty sockets, a scandal of nakedness in high, bare walls. She at last uttered something formal and incoherent—she didn't know what: it had no relation to either house. Then she felt Mrs. Gereth's hand once more on her arm. "I've arranged a charming room for you—it's really lovely. You'll be very happy there." This was spoken with extraordinary sweetness and with a smile that meant, "Oh, I know what you're thinking; but what does it matter when you're so loyally on my side?" It had come indeed to a question of "sides," Fleda thought, for the whole place was in battle array. In the soft lamplight, with one fine feature after another looming up into sombre richness, it defied her not to pronounce it a triumph of taste. Her passion for beauty leaped back into life; and was not what now most appealed to it a certain gorgeous audacity? Mrs. Gereth's high hand was, as mere great effect, the climax of the impression. Facing him, waving him away, she had taken another upward step; but he sprang to the side of the stairs and brought his hand, above the banister, down hard on her wrist. "Do you mean to tell me that I must marry a woman I hate?"!

"Marry him if he were to ask me? Most distinctly not!" Fleda appeared to consider: she appreciated her visitor's magnanimous use of the plural. "Mona won't die," she replied.

"She abused you, and I defended you. She denounced you—" "It looks just like Waterbath; but, after all, we bore that together:" these words formed part of a letter in which, before the 17th, Mrs. Gereth, writing from disfigured Ricks, named to Fleda the day on which she would be expected to arrive there on a second visit. "I sha'n't, for a long time to come," the missive continued, "be able to receive any one who may like it, who would try to smooth it down, and me with it; but there are always things you and I can comfortably hate together, for you're the only person who comfortably understands. You don't understand quite everything, but of all my acquaintance you're far away the least stupid. For action you're no good at all; but action is over, for me, forever, and you will have the great merit of knowing, when I'm brutally silent, what I shall be thinking about. Without setting myself up for your equal, I dare say I shall also know what are your own thoughts. Moreover, with nothing else but my four walls, you'll at any rate be a bit of furniture. For that, you know, a little, I've always taken you—quite one of my best finds. So come, if possible, on the 15th." When, as criticism deepened, Fleda dropped the suggestion that some people would perhaps see something in Mona, Mrs. Gereth caught her up with a groan of protest, a smothered familiar cry of "Oh, my dear!" Mona was the eldest of the three, the one Mrs. Gereth most suspected. She confided to her young friend that it was her suspicion that had brought her to Waterbath; and this was going very far, for on the spot, as a refuge, a remedy, she had clutched at the idea that something might be done with the girl before her. It was her fancied exposure at any rate that had sharpened the shock; made her ask herself with a terrible chill if fate could really be plotting to saddle her with a daughter-in-law brought up in such a place. She had seen Mona in her appropriate setting and she had seen Owen, handsome and heavy, dangle beside her; but the effect of these first hours had happily not been to darken the prospect. It was clearer to her that she could never accept Mona, but it was after all by no means certain that Owen would ask her to. He had sat by somebody else at dinner, and afterwards he had talked to Mrs. Firmin, who was as dreadful as all the rest, but redeemingly married. His heaviness, which in her need of expansion she freely named, had two aspects: one of them his monstrous lack of taste, the other his exaggerated prudence. If it should come to a question of carrying Mona with a high hand there would be no need to worry, for that was rarely his manner of proceeding.